PROBABILITY PRAXIS 15 of 28 – FULL MOON – Chateu Perche Festival, France

PROBABILITY PRAXIS 15 of 28 – FULL MOON

5 August 2017

Chateu Perche Festival, France

(no interlocuters)

critical magic, in my mind, fundamentally challenges the idea that magic can be about a poof – wave the wand and change everything. Critical magic is about critical engagement, critical theory, active listening, participation, active presence, and deicing to work towards change. And yet. There is also perhaps, what I can see now, there is perhaps also room for a “poof” – if we can call it that. There is room for an exacting moment of revelation. In this conception, the poof moment could be the moment when the imagination takes on a new ordering and accepts a new paradigm as an act of performance — performance here is a moment of “reframing” ones truth.  This is as opposed to creating or enacting a new empirical truth. The world cannot change in one second, but our minds can change. The world can change slowly over time, with hard work and commitment and coming together through activism and action. Part of this change requires the changing of minds, and even though the changing of minds can also take a long time, it seems that on the other hand, a mind does switch, there is a moment when one decides that in fact the floor is not green, that rather it is brown. There are ahhah moments, there are moments when we decide to use a new pronoun for someone, when we decide to give someone a new name, when we acknowledge a death or a birth. And this moment is specific, one might say, a poof moment, a singular moment. There in that sense we can radically imagine a new way of categorizing that was before not seen. Ithink about what elizabeth povinelli says about life versus non life, all she had to write was simply the idea, the new vision, and the paradigm was open. Not because the paradigm is or is not, but rather that it exists at all as “one way of seeing” and if we can allow ourselves to see in that/those other ways, this is a radical vision. Radically visioning. The performance act is a chance to live inside a radical vision, to perform a radical state of mind and of speech act. It is a chance to practice a new way of seeing. Within that “other way of seeing” perhaps we can also envision what that other way of seeing will give birth to over time.

krf